{"id":56198,"date":"2023-05-18T13:18:38","date_gmt":"2023-05-18T11:18:38","guid":{"rendered":"https:\/\/www.teatrostabiletorino.it\/?post_type=avada_portfolio&#038;p=56198"},"modified":"2024-02-16T11:53:19","modified_gmt":"2024-02-16T10:53:19","slug":"otello-20-24-feb-2024","status":"publish","type":"avada_portfolio","link":"https:\/\/www.teatrostabiletorino.it\/en\/cartellone\/otello-20-24-feb-2024\/","title":{"rendered":"Othello <br> 22 &#8211; 25 Feb 2024"},"content":{"rendered":"<p><\/p>\n<div class=\"page\" title=\"Page 10\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>After confronting the cruelty of <em>Richard III<\/em>, Kriszta Sz\u00e9kely, the talented Hungarian director and associate artist of the Stabile di Torino, comes to grips with another great Shakespearean &#8220;villain&#8221;. Treacherous Iago is the real driving force behind Othello, and so is his ability to manipulate a murky world where everything depends on how one presents it. Iago knows how to seize upon the chinks lurking in the hearts of lovers or friends&#8217; feelings and succeeds in driving everyone over a precipice with a simple lie. He builds and dominates through insecurity, fear and prejudice as he presents himself as an honest man in his manipulative universe or, even worse, as a neutral one.<\/p>\n<h3>by William Shakespeare<br \/>\nwith Barna B\u00e1nyai Kelemen, Vivien Rujder, Lehel Kov\u00e1cs<br \/>\nAlexandra Borb\u00e9ly, D\u00e1vid Vizi, Ferenc Elek, P\u00e9ter Tak\u00e1tsy<br \/>\nVilmos Vajdai, Benj\u00e1min Lengyel, Kata Kany\u00f3<br \/>\ndirection Kriszta Sz\u00e9kely<br \/>\nscene Nelli Pall\u00f3s<br \/>\ncostumes Juli Szl\u00e1vik<br \/>\ndramaturgy \u00c1rmin Szab\u00f3-Sz\u00e9kely<br \/>\nmusic Fl\u00f3ra Lili Matisz<br \/>\n<em>Katona J\u00f3zsef Sz\u00ednh\u00e1z<\/em><br \/>\n<em>Teatro Stabile di Torino &#8211; Teatro Nazionale<\/em><\/h3>\n<p><em><strong>Performance in Hungarian with Italian surtitles\u00a0\u00a0 <\/strong><\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>After confronting the cruelty of Richard III, Kriszta Sz\u00e9kely, the talented Hungarian director and associate <a href=\"https:\/\/www.teatrostabiletorino.it\/en\/cartellone\/otello-20-24-feb-2024\/\"> [+]<\/a><\/p>\n","protected":false},"author":1994,"featured_media":56331,"menu_order":160,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"portfolio_category":[164,165,168],"portfolio_skills":[],"portfolio_tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.teatrostabiletorino.it\/en\/wp-json\/wp\/v2\/avada_portfolio\/56198"}],"collection":[{"href":"https:\/\/www.teatrostabiletorino.it\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.teatrostabiletorino.it\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.teatrostabiletorino.it\/en\/wp-json\/wp\/v2\/users\/1994"}],"replies":[{"embeddable":true,"href":"https:\/\/www.teatrostabiletorino.it\/en\/wp-json\/wp\/v2\/comments?post=56198"}],"version-history":[{"count":0,"href":"https:\/\/www.teatrostabiletorino.it\/en\/wp-json\/wp\/v2\/avada_portfolio\/56198\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.teatrostabiletorino.it\/en\/wp-json\/wp\/v2\/media\/56331"}],"wp:attachment":[{"href":"https:\/\/www.teatrostabiletorino.it\/en\/wp-json\/wp\/v2\/media?parent=56198"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.teatrostabiletorino.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=56198"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.teatrostabiletorino.it\/en\/wp-json\/wp\/v2\/portfolio_skills?post=56198"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.teatrostabiletorino.it\/en\/wp-json\/wp\/v2\/portfolio_tags?post=56198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}