\u2022 Ubu Award for Best New Foreign Play or Dramaturgical Writing <\/strong>for Cose che so essere vere<\/em> (Things I Know to Be True<\/em>) by Australian playwright Andrew Bovell, directed by Valerio Binasco and produced by Teatro Stabile di Torino. \u2022 Premio ANCT \u2013 National Association of Theatre Critics<\/strong> to Giuliana De Sio<\/em> with the following motivation: \u201cAffections, resentments, torments and hidden truths, pain and solitude: Giuliana De Sio embarks on a cruel descent into existential unhappiness, starring in two merciless \u2018family comedies\u2019 in recent years \u2014 August: Osage County<\/em> by Tracy Letts and Things I Know To Be True<\/em> by Andrew Bovell \u2014 both indelibly marked by her extraordinary performances. [\u2026] Two roles that confirm an actress in a state of grace, and thus well deserving of the award from the National Association of Theatre Critics.\u201d \u2022 Premio Danza & Danza 2023<\/strong> to Le Sacre du printemps<\/em> by Dewey Dell as Italian Production of the Year<\/strong>, co-produced by the RING network: Torinodanza Festival, I Teatri di Reggio Emilia, Triennale Teatro Milano, Bolzano Danza. \u2022 Premio ANCT \u2013 National Association of Theatre Critics<\/strong> to Filippo Dini<\/em> with the following motivation: \u201cA twilight aura pervades Filippo Dini\u2019s beautiful stagings. Reserved, determined, reflective, he has developed an engaging and original trajectory, zigzagging between contemporary drama and classics, wisely adapted. Dini imbues his work with meaning both in text selection and in meticulous staging, which exudes a subtle suffering \u2014 for the creative act is painful. Born in Genoa, since 2021 he has been resident director at Teatro Stabile di Torino, where in recent seasons he has directed and performed A Doll\u2019s House<\/em> by Ibsen, The Spank<\/em> by Hanif Kureishi, Frozen<\/em> by Bryony Lavery, and The Crucible<\/em> by Arthur Miller…\u201d \u2022 Premio Ubu<\/strong> for Best Set Design<\/strong> to Nicolas Bovey<\/em> for The Chairs<\/em> by Eug\u00e8ne Ionesco, directed by Valerio Binasco, and The House of Bernarda Alba<\/em> by Federico Garc\u00eda Lorca, directed by Leonardo Lidi, both produced by Teatro Stabile di Torino \u2013 Teatro Nazionale. \u2022 47th Premio Internazionale Flaiano<\/strong> to Valerio Binasco<\/em> for Theatre Direction<\/strong> of Noises Off<\/em>, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale.<\/p>\n \u2022 Premio Le Maschere del Teatro Italiano<\/strong> to Filippo Dini<\/em> for Best Direction<\/strong> of Right You Are (If You Think So)<\/em>, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale. \u2022 Innowards Savoie Mont Blanc<\/strong> (Culture Category) awarded to the Corpo Links Cluster<\/em> project by Acteurs de l\u2019\u00e9conomie \u2013 La Tribune<\/em>. \u2022 Critics\u2019 Award 2017<\/strong> to Michele Di Mauro<\/em> for his performance in Autumn Dream<\/em> by Jon Fosse, directed by Valerio Binasco, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale.<\/p>\n \u2022 Premio Ubu<\/strong> to Paolo Pierobon<\/em> as Best Actor<\/strong> for Danton\u2019s Death<\/em> by Georg B\u00fcchner, directed by Mario Martone, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale. \u2022 Premio ANCT \u2013 National Association of Theatre Critics<\/strong> to Alessio Maria Romano<\/em> (choreographer and pedagogue), teacher at the Acting School of Teatro Stabile di Torino.<\/p>\n \u2022 Premio Ubu<\/strong> for Best Sound Design or Original Music<\/strong> to G.u.p. Alcaro<\/em> for live electronics in the TST production Quartett<\/em>, directed by Valter Malosti.<\/p>\n \u2022 Premio Internazionale Flaiano<\/strong> for Best Direction<\/strong> to Mario Martone<\/em> for The Evening at Colonus<\/em>, produced by Teatro Stabile di Torino. \u2022 Audience Award \u2013 Teatri di Vita<\/strong> to Mario Martone<\/em> for Operette Morali<\/em>, produced by Teatro Stabile di Torino.
\n\u2022 Ubu Award for Best Actress\/Performer<\/strong> to Valentina Picello for her performance in La gatta sul tetto che scotta<\/em> (Cat on a Hot Tin Roof<\/em>) by Tennessee Williams, directed by Leonardo Lidi and produced by Teatro Stabile di Torino.
\n\u2022 Ivo Chiesa Award. A Lifetime for Theatre<\/strong> \u2013 6th Edition 2025 awarded to Filippo Fonsatti, General Director of the TST.
\u2022 ANCT Award 2025 to actress Valentina Picello<\/strong>, leading performer in Cat on a Hot Tin Roof<\/em>, a production by Teatro Stabile di Torino directed by Leonardo Lidi.
\u2022 ANCT Award 2025 to translator Monica Capuani,<\/strong> whose recent collaborations with TST include Cat on a Hot Tin Roof<\/em> by Tennessee Williams, August: Osage County<\/em> by Tracy Letts, and Circle Mirror Transformation<\/em> by Annie Baker.
\n\u2022 Premio Le Maschere del Teatro Italiano 2025<\/strong> to Giuliana De Sio<\/em> as Best Leading Actress<\/strong> for the play Things I Know To Be True<\/em> by Andrew Bovell, directed by Valerio Binasco, a production by Teatro Stabile di Torino \u2013 Teatro Nazionale, Teatro Stabile di Bolzano \/ TSV \u2013 Teatro Nazionale.
\n\u2022 Premio Hystrio alla Regia 2025<\/strong> to Leonardo Lidi<\/em>, resident director and head of the Acting School of TST.
\n\u2022 Premio Internazionale Flaiano<\/strong> to Sara Bertel\u00e0<\/em> as Best Actress<\/strong> for her role as the Mother in Six Characters in Search of an Author<\/em> by Luigi Pirandello, directed by Valerio Binasco and produced by Teatro Stabile di Torino.<\/p>\n
\n2024<\/strong><\/h3>\n
\n\u2022 Well Imp[act] \u2013 Special Mention \u2018Ideas from Cultural Institutions\u2019<\/strong> for activities promoting the relationship between culture and health.
\n\u2022 Premio Le Maschere del Teatro Italiano<\/strong> as Best Supporting Actress<\/strong> to Manuela Mandracchia<\/em> for August: Osage County<\/em>, directed by Filippo Dini, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale.
\n\u2022 Premio Internazionale Flaiano<\/strong> to Leonardo Lidi<\/em> for Best Theatre Direction<\/strong> for Uncle Vanya<\/em> by Anton Chekhov, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale, Teatro Stabile dell\u2019Umbria, and Spoleto Festival dei Due Mondi.<\/p>\n
\n2023<\/strong><\/h3>\n
\n\u2022 Premio Duse<\/strong> to Giuliana De Sio<\/em> for her portrayal of Violet Weston in August: Osage County<\/em> by Tracy Letts, directed by Filippo Dini, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale.
\n\u2022 Premio ANCT \u2013 National Association of Theatre Critics<\/strong> to Manuela Mandracchia<\/em> with the motivation: \u201cShe possesses vocal and emotional registers that allow her to tackle, with equal depth and precision, bourgeois drama and Greek tragedy, the classics and contemporary playwriting, serving her characters and the performance as a whole with generosity and scenic intelligence. Her versatility was widely confirmed in the two most recent TST productions: The Crucible<\/em> by Arthur Miller and August: Osage County<\/em> by Tracy Letts, both directed by Filippo Dini, with whom she shares a solid professional understanding and a poetic vision centered on representational theatre…\u201d
\n\u2022 Premio Le Maschere del Teatro Italiano<\/strong> for Best Direction<\/strong> and Best Actor<\/strong> to Filippo Dini<\/em> for The Crucible<\/em> by Arthur Miller, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale.
\n\u2022 Premio Le Maschere del Teatro Italiano<\/strong> as Best Emerging Actress<\/strong> to Giordana Faggiano<\/em> for Six Characters in Search of an Author<\/em> by Luigi Pirandello, directed by Valerio Binasco, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale.
\n\u2022 Premio Le Maschere del Teatro Italiano<\/strong> for Best Music<\/strong> to Aleph Viola<\/em> for The Crucible<\/em> by Arthur Miller, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale.
\n\u2022 Premio Le Maschere del Teatro Italiano<\/strong> as Best Supporting Actress<\/strong> to Orietta Notari<\/em> for The Seagull<\/em> by Anton Chekhov, directed by Leonardo Lidi, co-produced by Teatro Stabile di Torino \u2013 Teatro Nazionale.
\n\u2022 Premio Internazionale Flaiano<\/strong> for Best Direction<\/strong> to Filippo Dini<\/em> for The Crucible<\/em> by Arthur Miller, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale.
\n\u2022 Premio Internazionale Flaiano<\/strong> for Best Actress<\/strong> to Lucia Mascino<\/em> for Frozen<\/em> by Bryony Lavery, directed by Filippo Dini, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale.
\n\u2022 Premio Gianluca Spina for Digital Innovation in Cultural Heritage and Activities 2023 \u2013 Accessibility Category<\/strong> for the project For an Accessible Theatre<\/em>.
\nAward promoted by the Gianluca Spina Association in collaboration with the Digital Innovation Observatory in Cultural Heritage and Activities, Politecnico di Milano.<\/p>\n
\n2022<\/strong><\/h3>\n
\n\u2022 Premio Le Maschere del Teatro Italiano<\/strong> to Valerio Binasco<\/em> for Best Direction<\/strong> for The Chairs<\/em>, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale.
\n\u2022 Premio Le Maschere del Teatro Italiano<\/strong> to Arianna Scommegna<\/em> for Best Supporting Actress<\/strong> in Iphigenia\/Orestes<\/em>, directed by Valerio Binasco, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale.
\n\u2022 Premio Le Maschere del Teatro Italiano<\/strong> to Jurij Ferrini<\/em> for Best Actor<\/strong> in Iphigenia\/Orestes<\/em>, directed by Valerio Binasco, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale.
\n\u2022 Premio Le Maschere del Teatro Italiano<\/strong> to Nicolas Bovey<\/em> for Best Set Design<\/strong> for The Chairs<\/em>, directed by Valerio Binasco, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale.
\n\u2022 Special Prize Le Maschere del Teatro Italiano \u2013 Lonardi Buontempo<\/strong> to Filippo Fonsatti<\/em>, director of Teatro Stabile di Torino, for strengthening the theatre\u2019s internationalization processes.
\n\u2022 Premio Hystrio Twister<\/strong> to The Chairs<\/em> by Eug\u00e8ne Ionesco, directed by Valerio Binasco, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale.
\n\u2022 Premio Gianluca Spina for Digital Innovation in Cultural Heritage and Activities \u2013 Special Mention<\/strong> for the Digital Gates<\/em> project.<\/p>\n
\n2021<\/strong><\/h3>\n
\n\u2022 Premio Ubu<\/strong> for Best Foreign Show Presented in Italy<\/strong> to Ink<\/em> by Dimitris Papaioannou, commissioned and co-produced by Torinodanza Festival \/ Teatro Stabile di Torino \u2013 Teatro Nazionale and Fondazione I Teatri \/ Festival Aperto \u2013 Reggio Emilia.
\n\u2022 Premio Le Maschere del Teatro Italiano<\/strong> to Federica Fracassi<\/em> for Best Leading Actress<\/strong> in The Chairs<\/em>, directed by Valerio Binasco, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale.<\/p>\n
\n2020<\/strong><\/h3>\n
\n2019<\/strong><\/h3>\n
\n\u2022 Premio Le Maschere del Teatro Italiano<\/strong> to Pasquale Mari<\/em> for Best Lighting Design<\/strong> for Right You Are (If You Think So)<\/em>, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale.<\/p>\n
\n2018<\/strong><\/h3>\n
\n\u2022 Premio Arlecchino d\u2019Oro<\/strong> to Natalino Balasso<\/em>, performer in The Servant of Two Masters<\/em> by Carlo Goldoni, directed by Valerio Binasco, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale.
\n\u2022 Premio Le Maschere del Teatro Italiano<\/strong> to The Mayor of Rione Sanit\u00e0<\/em> as Best Show<\/strong>, directed by Mario Martone.
\n\u2022 Premio Le Maschere del Teatro Italiano<\/strong> to Massimiliano Gallo<\/em> as Best Supporting Actor<\/strong> for The Mayor of Rione Sanit\u00e0<\/em>, directed by Mario Martone.
\n\u2022 Premio Hystrio Twister<\/strong> to The Mayor of Rione Sanit\u00e0<\/em>, directed by Mario Martone.<\/p>\n
\n2017<\/strong><\/h3>\n
\n2016<\/strong><\/h3>\n
\n\u2022 Premio ANCT \u2013 National Association of Theatre Critics<\/strong> for Best Show<\/strong> to Phaedra<\/em>, directed by Andrea De Rosa, co-produced by Teatro Stabile di Torino \u2013 Teatro Nazionale and ERT \u2013 Emilia Romagna Teatro Fondazione.
\n\u2022 Premio Le Maschere del Teatro Italiano 2016<\/strong> for Best Leading Actor<\/strong> to Paolo Pierobon<\/em>, Best Costumes<\/strong> to Ursula Patzak<\/em>, and Best Lighting Design<\/strong> to Pasquale Mari<\/em> for Danton\u2019s Death<\/em>, directed by Mario Martone.
\n\u2022 Premio Enriquez 2016 \u2013 XII Edition<\/strong> to Teatro Stabile di Torino \u2013 Teatro Nazionale<\/em> in the category Theatres and Performance Venues<\/em>, for artistic direction 2015\u20132016 marked by social and civil engagement, and to Mario Martone<\/em> for Best Artistic Direction<\/strong>.
\n\u2022 Premio Enriquez 2016 \u2013 XII Edition<\/strong> to Marco Tullio Giordana<\/em> for Best Direction<\/strong> for The Testament of Mary<\/em> by Colm T\u00f3ib\u00edn, produced by Teatro Stabile di Torino \u2013 Teatro Nazionale, Teatro Stabile del Veneto \u2013 Teatro Nazionale, in collaboration with Zachar Produzioni.<\/p>\n
\n2015<\/strong><\/h3>\n
\n2014<\/strong><\/h3>\n
\n2013<\/strong><\/h3>\n
\n\u2022 Premio ANCT \u2013 National Association of Theatre Critics<\/strong> to The Evening at Colonus<\/em> as Best Show<\/strong>, produced by Teatro Stabile di Torino.
\n\u2022 Premio Ubu<\/strong> for Best Leading Actor<\/strong> to Carlo Cecchi<\/em> (The Evening at Colonus<\/em>).
\n\u2022 Premio Ubu<\/strong> for Best Supporting Actress<\/strong> to Antonia Truppo<\/em> (The Evening at Colonus<\/em>).
\n\u2022 Premio Le Maschere del Teatro Italiano<\/strong> to Nicola Piovani<\/em> for Best Original Music<\/strong> for The Evening at Colonus<\/em>, produced by TST.
\n\u2022 Premio Ubu<\/strong> for Best Actress Under 30<\/strong> to Alice Spisa<\/em>, recent graduate of the Acting School of Teatro Stabile di Torino.<\/p>\n
\n2012<\/strong><\/h3>\n
\n\u2022 Premio Le Maschere del Teatro Italiano<\/strong> for Best Show<\/strong> to The Coast of Utopia<\/em> by Tom Stoppard, directed by Marco Tullio Giordana<\/em>, produced by Teatro Stabile di Torino.
\n\u2022 Premio Le Maschere del Teatro Italiano<\/strong> for Best Costumes<\/strong> to The Coast of Utopia<\/em>, produced by Teatro Stabile di Torino.
\n\u2022 Premio ANCT \u2013 National Association of Theatre Critics<\/strong> to